Eine Untersuchung
\nf\u00fcr Erwachsene + Kinder ab 8 Jahren<\/p>\n
Was ist sch\u00f6n im Theater? Und was in der Musik? Stille oder Krach? Ordnung oder Chaos? Ist auch Lustiges sch\u00f6n? Oder ist Sch\u00f6nes immer ein wenig traurig? Kann man Sch\u00f6nheit absichtlich erzeugen? Kann Scheitern sch\u00f6n sein? Oder scheitert man schon an dem Wunsch sch\u00f6n zu sein? Ist immer das Gleiche sch\u00f6n, oder nur \u00dcberraschendes? Sind die sch\u00f6nen K\u00fcnste sch\u00f6n? Muss man sich f\u00fcr Sch\u00f6nes anstrengen? Oder ist nur Leichtigkeit sch\u00f6n? Gibt es \u00fcberhaupt das Sch\u00f6ne? Oder ist es f\u00fcr jeden etwas Anderes sch\u00f6n? Und wer sagt \u00fcberhaupt, was sch\u00f6n ist? – wohl kaum der K\u00fcnstler, denn nichts ist l\u00e4cherlicher oder tragischer als ein K\u00fcnstler, der ganz allein meint, etwas Sch\u00f6nes zu tun. Also muss das Publikum entscheiden \u2013 sch\u00f6n finden oder eben nicht.<\/p>\n
Es geht in dieser Stunde um die Suche nach Sch\u00f6nheit, um eine Untersuchung: Uwe Schade mit seinem sch\u00f6nen Cello und und Torsten Sch\u00fctte mit dem, was ihm der Moment Sch\u00f6nes (ein)gibt, stellen sich. Der Raum ist leer, die Stunde liegt vor ihnen, sie m\u00fcssen Aufgaben l\u00f6sen, und weil fraglich ist, ob das Sch\u00f6ne wiederholbar ist, sind die Aufgaben in ihrer Kombination immer neu. Am Ende entscheiden die Zuschauer mittels farbiger Murmeln, was sch\u00f6n war.<\/p>\n
Spielregeln: Elisabeth Bohde
\nhelfendes Ohr: Matthias Kaul
\nSchauspiel: Torsten Sch\u00fctte
\nCello: Uwe Schade
\nKost\u00fcme: Gesine Hansen<\/p>\n
Eine Koproduktion mit der Theaterwerkstatt Pilkentafel<\/a><\/p>\n Gef\u00f6rdert von der Stadt Flensburg + dem Land Schleswig Holstein + dem Fonds Darstellende K\u00fcnste e.V. + der Hamburger Kulturbeh\u00f6rde<\/p>\n\n
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